As always whenever it comes to this topic, before I begin I must say that in no way, shape or form endorsing nor insulting the homosexual community and lifestyle, as it personally has not affected me in any way, shape or form. This is simply a heterosexual male’s perspective on the homosexual community.
Now that that’s out of the way…
Since I am in the music journalism game, I do have to keep up with the Joneses in today’s popular scene. Sure, I could write about the music I like all day long, but I’m pretty sure more people would give a shit about that Lil Big Yung song my blogging sister from another mister aliya ewing posted up a month ago than, say, anything by Jazzanova.
I ain’t gonna front though; “My Swag” is catch-as-catch-can catchy.
Anyways, after I woke up from my daily depression-induced nap the other day I decided to 86 my plans of watching yet another rerun of The Simpsons and flipped to a show on a channel I can’t even remember when I watched last: B.E.T.’s 106 & Park. Ignoring my id’s request to dive headfirst into the shallow end of my apartment’s pool and my ego egging it on, I sat through about an hour of the show before I got completely bored and went back to looking for more Charley Chase flicks flipped to the Lakers game.
If what I saw is supposed to be indicative of today’s hottest music, then I – to paraphrase reclusive poet laureate Cam’Ron – am in for a real cold winter. Where the fluck is Cam anyways?
However, it was a small, random-ass segment on the show which stuck out the most to me, where the cooned-out guy and the slorish Puerto Rican chick asked a chick with a Lil Wayne-influenced lip ring – also another shocking new trend I’m just now waking up to – and a guy who looked like he jumped into a vat of DayGlo in the audience what they thought about skinny jeans on men.
Pause, no Wanda Sykes at me even sitting through that segment.
Regardless of the answer (although the guy had no problem with it while the chick said that only women should rock skinny jeans), it was the manner of which the guy answered the questions that stuck out, or more specifically, his mannerisms , which bordered on the threshold of quasi-fleeciness. This all had my inner conspiracy theorist come out of hibernation and start really wondering if the gay community is slowly influencing the urban culture’s train of thought about gays through its clothing.
Think about it: none of these rappers, singers, producers, whatever, dress themselves because they’re too lazy crafting shitty songs and coming up with dumbass slanguistics like “That’s my Obama;” they leave that non-arduous task to their stylists. Case in point: at the end of shows like 106 & Park and in magazines alike there’s a small blurb giving props to the subject’s stylists. And almost always the stylists are either – you guessed it! – gay or women. So like mindless lemmings these public spectacles just rock what their stylists tell them to wear.
But what if they’re convincing them to rock such wears as a means of revenge, retaliation and getback from the years of homo bashing? I’m inclined to think that since these artists are so influential, cats start running around thinking the shit is sweet and start biting off them, which in effect will cause a bunch of cats who are straight dressing in a non-straight manner, and ultimately they may form an unconscious, unknowingly gay acceptance because they do that shit too.
Does any of that make sense?
If this in fact has some sort of validity to it, how mind-blowingly hilarious would that be to see how some of these cats who dress this way yet bash the fuck out of gays react? Think about it: I’m pretty sure Cam’Ron wasn’t the one who decided to start rocking pink fur stoles. What if it was a gay or female stylist that somehow convinced him that if he wore that shit he’d be the hardest thing out, which ultimately convinced a legion of followers to do the same once they saw him doing it? I swear, it any of this shit is true I’m gonna use Nigerian voodoo and try to resurrect the corpse of Biggie Smalls. But seeing as how he’s rolled over in his grave so much from all the fuckery Puff’s done in his absence, I’d probably get tired and quit halfway through trying to dig him out of his grave.
This whole thing reminds me of one of my favorite quotes: the greatest trick the Devil ever pulled was convincing the world he didn’t exist.
Y’all pretty much know my stance on snitching, but if not fuck you I’ll reiterate: if I’m in a position where myself and/or my family were put in harm’s way for any unwarranted reason, I’m definitely doing whatever it takes to make sure our livelihoods were safe, including – yeah, you guessed it – cooperating with authorities. I use the term “unwarranted” in regards to certain yet everyday scenarios like, say, a family member getting raped or a close friend getting shot without provocation. Unless the person had it coming, I see no reason why I wouldn’t talk to the fuzz.
This whole “snitching” phenomena is definitely an interesting topic in hip-hop. Apparently since I – and I know many others – are less than willing to go all Charles Bronson and take the law into their own hands than rather have licensed professionals do the arduous task, my supposed, all-important “street credibility” comes in to question. But seeing as how I spend more time plastered in front of two computers than on the block and am more worried that I may die of a heart attack at the ripe age of 31 thanks to about my family’s history with hypertension at an early age than a bullet, you can say that I really don’t give three shits about street credibility. I’m pretty sure my future employers wouldn’t care neither, hence why I can’t put that shit on any résumé either.
Obviously there’s a bit of a difference between myself and someone like T.I., and it’s not only because what he spends in a day at a Louis murse store I earn in a year (damn economy). As essentially the complete antithesis of me Clifford has to deal with the snitching stigma, as it could definitely affect his fan base. His sales not so much, because we all know thugs bootleg and steal shit while females and unassuming YTs plop down duckets for it, meanwhile Internets nerds like myself and everybody reading this shit (Don’t front. I can see through that faux e-thugging bullshit) simply wait for the latest Sharebee link to sprout up. But with Clifford going to stand trial for last year’s murder of his BFF (I’ll refrain from calling homeslice a salaried cheeba cache, but just this once. But then again, you guys know how little I value weed carriers’ lives sometimes), his urban credence will almost certainly come into question.
Yesterday I was asked if I thought T.I. is a “snitch” for this particular scenario. To be honest, I don’t think he is at all. I mean, only getting a year and change in the bing coupled with glorified adult detention – a/k/a a slap on the wrist – despite being a supposed multi-time felon who was caught with all kinds of Gears Of War gats? Yeah, that reeks of suspicious behavior to me. And he does rap about murking the shit out of people on songs like “Hurt,” which would lead some to believe that he should remain to his street ties no matter what, and understandably so. But let’s get serious, people: this is the wireless age, not the Wild Wild West (no Kool Moe Dee/Will Smith), and that Dirty Harry shit only works in movies and fantasies (hell, even Superman of ended up in a wheelchair). So the chances of anybody – especially someone with as high a profile as T.I.’s – trying to pull off a vengeance caper without po-po shoving all kinds of nightsticks down your sphincter are slim to none. The way I see it, not only is going to the cops for this particular situation the right thing to do, it’s the smart thing to do as well.
It was all good just a year (and some change) ago.
See, back when this site had the crazy idea to round up a bunch of random-ass people from all over to start up their own weblog section, it was designed to broadcast the low end theories of writers, photographers, rappers, artists and – most important of all – hip-hop fans from all over the country to provide their beats, rhymes and life on a semi-national stage. Men and women, young and old, everyone had their own story to tell.
So when they tossed yours truly a slot, I’d already known what I’d do when given the chance. Coming off a two year long sabbatical from scribing, my state of mind was a far cry from the “ideal hip-hop enthusiast” most of youse would probably wanted me to be. You know, the one who talks about what musicians, executives and even us could do to make this rap shit more enjoyable, perhaps even changing the current doldrums of sound for the better. You know, all that happy-go-lucky, I-care-so-dilligently-about-hip-hop-culture, berries and creme stuff.
Sorry, that guy checked out of his hotel room a long time ago.
See, for every cheery, politically imbued, stream-of-consciousness talker out there’s its nihilistic, sarcastic, shit-starting equal. Perhaps that’s what my former esteemed Gotdamned Editor envisioned when bestowing me with this spot. It probably helped matters that my hibernation increased my steadfast beliefs to the point where I’d willingly cyber-squab with any and everyone at the drop of a hat. Where the hell are Ketchums and Burnett anyways?
But that was all just a year ago. Granted that fire starting is sill within me and it still obviously fucks with the likes of this spot’s visitors (which still amazes and flabbergasts me to this day), but things have changed, albeit somewhat. Being essentially the last of the "originals" here - something I actually didn't plan on being - I’ve long since realized that squabbling it out over the Internets is about as mentally fulfilling as a lead pipe to the base of the neck, especially considering most of the baiting tactics have gotten more gayer by the comment. Add on to the fact that most cats still try to instill a moral dilemma – a/k/a the infamous “What if?” proposals – as a form of a trump card, despite the fact that it’s been done more times than I care to remember, and that I’ve been told worse, and you've essentially got a quasi-burnt-out-with-blogging blogger who doesn't care if I get five or 500 comments now. Hell, even this site’s message board camarilla infamously tried to get me off this site and “blackball me from the ‘music industry’” as a whole, and all they “succeeded” in doing was preventing me from saying but three words on this shit (um, First Amendment anyone?). Now I don’t even think anybody visits that section anymore, what with the copious amounts of NSFW content that was usually restricted suddenly being so prevalent there.
I’m not saying that the message board section fell the fuck off, or that I had a hand in that shit. I’m just pointing that shit out.
It also could deal with the fact that I’ve gotten older and thus have to deal with bigger, more pressing issues that I really stopped giving a shit about what I do sometimes. See in my world, keeping my phone, home Internets and cable on is just a little more important to than e-pride, and – oddly enough – I think that everybody should feel that way. I once asked earlier this year who really gives a fuck about what I say over here. From the looks of it, more than even I envisioned which, while in its essence is a backhanded compliment, is still pretty fucking sad.
The other day as I was walking from the laundromat, I walked past one of the gayest displays of fisticuffs I’ve ever seen: a pair of Mexicans duking it out in the middle of traffic. Actually, for them to be “duking it out” they would have had to put less of a fruitier effort; if I can compare it to anything, it’d definitely have to be akin to those old Greek fights way the fuck back in the day where, after seeing half-dressed men parade around with swords and such, everybody would join in on one, big, fagtastic orgy.
There isn’t a [||] button big enough for that last quip.
Anyways, these Mexicans were essentially grappling each other and kicking at each other’s shins, presumably because one of them took the last churro that was for sale on the street, or at least that's what I’d like to think. So I’m wondering, “If these two random-ass Mexicans are willing to scrap it out over a Spanish doughnut, why isn’t their rap counterparts as gully?”
Most people don’t realize that if you looked past that entire fence hopping thing and such, you’d realize that Latinos are one of the toughest peoples around, particularly in Los Angeles. Aside from their willingness to work for less than minimum wage and using inner tubes to cross oceans, they’ve formed two of the largest and most dangerous gangs of all time: The Latin Kings and MS-13. If you have children you may want to stall out on taking a vacation with them to Central America; they may end up coming back without an appendage or worse. The fact that any body would inject a child’s heart with acid ? That’s got to be one of the gulliest things ever .
Which comes to my point: if Latinos themselves are raw as shit, how come their rapping representatives aren’t as much? Cypress Hill is more of a White rock band nowadays, I haven’t even heard of anything from Kid Frost, Mellow Man Ace and A Lighter Shade Of Brown, and Fat Joe really hasn’t been the same since Pun’s heart gave out in 2000. I will give him credit for giving Cuban Link that buck-50 across the face, though. I didn’t even know he still had that in him.
If anything, it actually points to one person: Big Pun. I’ll be real: Pun was one of the illest rappers of all time (tell me I’m wrong) whose career was cut way too short. If anything he could be considered the Latino Biggie Smalls in terms of impact in the Latino rap scene, perhaps setting the bar so high for Latino rappers that no one has ever been able to even come within an eyelash’s length of it. For a minute I actually thought Fat Joe would have used his tragic passing as inspiration to become a top tier MC, which some of it actually showed around his “Lean Back” days. But then duke got up with DJ Ali Baba, moved to Miami and his skills regressed faster than you can say horchata . Or maybe he just ran out of rhymes to use from Pun’s stash. Whatever.
Say what you will about N.O.R.E., but he fell the fuck off. Lloyd Banks Juelz Santana and Fabolous are only half-Latino. And I really don’t give three-eighths of a shit about Immortal Technique’s angry-man rap either. None of them will ever be as marketable, bankable and especially as lyrical as Big Pun. And with the way things are going now the chances of a Latin rapper to baffle my skull are slim to none.
Ask any person living in Los Angeles, and they’ll probably tell you that Suge Knight fell the fuck off way before he got punched out at a party by a barber, slapped out a chick in a parking lot, had Death Row swacked out from under him by some crotchety cracka-ass YT, sued Kanye West of all people for getting shot at a party and other such random acts of fuckery. Hell, ask any person living in Los Angeles and they’d probably tell you that Suge Knight is more than deserving of every form of bad luck he’s had coming to him for the past decade-plus or so. And some would probably say that he’s long overdue for this shit.
Inexplicably though was the fact that, during his reign of terror on the music industry, nobody would say shit while he was in charge of the Left Side’s rap scene, be it the fact that he was associated with Bloods, that he financed Death Row by dangling one Rob Van Winkle by his ankles over a 20th-story balcony the way Michael Jackson did his botched, diseased offspring Blanket, that his urban legend tales reached nigh-Freddy Krueger levels or a combination of all three. Where you think the inspiration for Deebo came from?
But in reality, what were the chances of Suge Knight coming to our cribs to smack the flames out of us in front of our moms? That’s part of the reason I didn’t give a shit about duke in the first place, so long as the hits kept on coming. “New York, New York” was my shit, especially when it used to come on back-to-back with The Luniz’ “I Got 5 On It” on The Box. Tell me I’m not the only one who doesn’t remember those chicks in that video. Thank God(Dess) for YouTube. But I’m steering off course right now.
If anything, I blame Suge for kick-starting this awful trend of raping corpses for their royalties. Look at what’s happening to Lesane: on top of the fact he’s dropped more albums dead than he did alive, duke has his face plastered over that ugly-ass Makaveli clothing line that covers the walls at your local Burlington Coat Factory. I don’t know about you, but if my legacy were a pair of acid-wash jeans with my likeness screen-printed across the dick and ass area, I’d fight Jesus, Allah, Buddha or whatever multi-armed deity Apu from The Simpsons prays to for my soul, win, reanimate myself, then go head butt a speeding Mack truck for being quasi-involved in that fruity bullshit. Homeslice didn’t have this coming to him, even with all his ranting and hissy-fitting about getting plugged in the bozack.
Once everybody else started thinking in a similar fashion as I, Suge became about as expendable to the West as my colleague Charlamagne is to Wendy Williams nowadays (I couldn’t resist). Perhaps the reason all his posts have been in tiny blue print lately is to try to secretly convey his sadness to us. Whatever, I don’t give a damn. And in an ironic twist of fate not only has so-called gangsta music become tepid and obsolete, but now the only people who really give a shit are maybe Spider Loc and those Whoo Bangin’ rejects, and all they can get is YouTube play. At this point I wouldn’t be surprised if we saw Suge Knight running around in neon streetwear and a faux-hawk signing all kinds of skateboard rappers, and nobody would still care about his fat ass.
The recurring themes that keep popping up in the almighty c-section below are usually the gobbledygook plays on my name, wise cracks at that old-ass picture of my eye, which apparently gives readers the ability to automatically know everything there is about me down to the type of lotion I use (Shea butter, bitches) and my personal favorite, the inquiries about my tastes in music. Apparently, everything I’ve said on this damn thing for the past somehundredandchange posts has been nothing but pure, unadulterated hatred for all things living (and some dead).
I had no idea you people were so inquisitive.
But seriously though, go back and read the small print under the title of this post. Why the fuck are you people interested in my personal tastes anyways? It’s not like it’s going to change your “on-point” views about me, it’s not like I’m going to convince the latest retard c-boy to not say something that’s not homophobic and chances are this is probably going to get, like, eight comments on this bitch at the most. Twelve if I pepper in some politically incorrect non sequitur somehow.
Unfortunately since the rest of the rap world was doing absolutely nothing I ended up watching my partner in crime at the side hustle get shitfaced and inexplicably put his arm through a BMW windshield this weekend, hence leaving me with nothing to really talk about. So I figured, “Fuck it,” and scribble some half-assed post on the certain things I actually do like so I can needlessly verify my reason for having this blog or whatever, because it’s not like I have any published works on this site or in rap magazines anywhere to do so. In an effort to combat coastal bias, I’ve decided to pick an act from each coast. Let this be the last time I do you yaki tossers a favor.
U-N-I, Pacific Division . For as much chagrin I have toward the Left Coast that most people have seen on television, I’ll admit some of that shit was pretty catchy. Except Mad CJ Mac: he stunk to high hell. Anyways, there’s actually a few artists like the two mentioned above that are out in this, my soon-to-be former, direction, whose bohemian sense have caught my ears, thereby proving to me that everybody can just get along and chop up these bitches.
Heltah Skeltah, Fresh Daily . Similar to their Pacific Coast counterparts, New York’s Fresh Daily and the AOK Collective are definitely a current favorite of mine for the past couple years now. Meanwhile if you don’t think Sean Price and Rock should be in your top for greatest groups of all time, go Shakir Stewart yourself. Immediately.
Elzhi, Royce Da 5’9” . J Dilla has become the Dr. Dre of the Midwest, except not as steroid-ridden, where every artist can be Kevin Baconed back to him somehow. Even I think I can, and I've never even been to Michigan. Meanwhile, every halfwit nincompoop who managed to stumble upon a throwaway of his claimed to have worked with him. I’m just glad there are some artists who actually don’t need a Jay Dee beat to mask their suspect rhyming ability, as they can already rap circles around everybody else. Maybe that Detroit water and air didn’t get to them yet.
Holly Weerd. Yeah I know, only one entry from the South. In case you haven’t noticed, I tend to steer my attention from as far away from that place as possible. Word to all this ice and tattoos I got when our slave masters dragged me from a life of spear-chucking and topless women for a cat-o-nine-tails across the back if I looked at her underachieving paleface counterpart. Just be glad I don’t hate everything from there. Besides, y’all got the best titty bars in the country. You can be proud about that.
I’m sure every two-bit schmuck who reads this thing knows about the “Class Of 2009” freshman artists that currently grace the cover of XXL this month. While everybody is hotly contesting their latest entries (and I somewhat spoke my piece earlier this week), I’ve moved past that discussion and flipped the page to the next article, which ironically queried about the state of “gangster” rappers now that the neo-bohemians have taken over.
Don’t front like they haven’t, people. Just because they’re (willingly) shilling their music for free over the Internets and not in stores doesn’t mean their influence isn’t somewhat prevalent. Look at Lil Wayne for example… just not for too long, because he tends to look like his breath can curdle Gouda. Back when he was doing that silly “wobbledy-wobbledy” bullshit, he was running around in 5-for-$20 nightgown tees and Reebok Classics; now he fancies purple jeans, lip rings and fedoras like some of my cracka-ass neighbors. Birdman (I will never call a grown-ass man “Baby” anymore) of all people tried to defend their gangsta because of the tattoos on their face, but I just chock that foolishness up to them being the products of a public education system that’s still floating in the Gulf Coast some three years later, probably next to the Swiss Cheesed remains of Soulja Slim.
Please. You know good and damn well that cat’s under the sea chilling with Sebastian than under the earth spooning with Camouflage right now.
The only one not falling for the okie-doke ironically happens to be the guy who can’t even will a song to gold sales nowadays: 50 Cent. And while I was watching his latest video for a song whose title I can’t even remember right now, it’s just amazing how duke fell the fuck off in such a short amount of time. Think about where you were when “In The Club” first hit: that song was a fucking epic that successfully attracted both the streets and clubs. Fast-forward to now where that G-Unit that dropped this year didn’t even go gold, although he was mired in another Interscope-sponsored squabble with some crybaby tax evader.
Critics will blame Curtis’ current losing streak on his oversaturation in music, so much so that people are flat out tired of his antics. While part of that is true, I’m going to also point out that he’s the only one a: trying to still push that faux-gutter shit even though his dumbass reality show just came on MTV the other day (did anybody watch that shit? Thought not); b: once guys started realizing that his singing while rocking brassiere tops was kinda fruity looking they started his questioning his manhood and c: he just doesn’t fit the neo-alternative rapper aesthetic. Think about whom he lost to last year: a guy with both a doofy moniker and hipster fashion sense. At this point if Curtis started running around in snug-ass yellow Levi 511s, those Revenge Of The Nerds glasses, gaudy Dunks and Crooks & Castles shirts spitting idiot savant rap, I still don’t think he would do numbers at this point, since he’s essentially pigeonholed himself as a surly bully. All respect to Jay Electronica, but maybe Curtis should just go on and fuck Erykah Badu a few times to get whatever heebie jeebies she possesses in his system. Then he can run to Pharrell and Chad for some of their beats, and instead of rapping about hoes and shit he can whisper sweet nothings about making chamomile tea, lighting nag champa and all that other Maxwell-soft bullshit. Shit, it worked for Common and Andre 3000.
Real talk is, I wasn’t even gonna write shit this week due to a few things that need finishing up, as well as there not really being much in the news in hip-hop outside of regular ass, doofy shit like Lil Wayne’s piff pocketer dropping dime (bag) on his employer in court. I guess because today is National Day Against Police Brutality, errr, Day, hash honkies are doing the exact opposite of what they’re paid in groupie punany, – and subsequent penicillin prescriptions – to do: snitching. In a way it makes sense because they don't want to catch a nightstick up the ass, Abner Louima-style. But on the flip, isn't that the same shit rappers swear they don't do? No wonder Jim Jones says nobody has (dirtball) swagger like he does, because we all know him and his Harlem goonies would never tell cops that the killer is in apartment 4B.
So as you can see, my Latino neighbors who insist on blaring their banda music in the dead of the night are making more noise than rap. But since one Rayne215 asked so nicely I figured why the fuck not?
If only she asked me to deliver something else instead, but a guy can dream. She has nice lips by the way, gentlemen.
Honestly, the only thing that’s occupied my mind as of late has been, well, girls and gear. With the weather getting colder and my pockets getting slimmer, I’ve eschewed most brand names for, well, cheap ass shit (i.e. vintage) and keeping my current crop of clothes from getting nasty. It also helps that I sometimes get free shit in the mail (as opposed to an actual check, but whatever) as a thanks for posting their music over at the side hustle.
Just don’t expect me to be shilling that shit like it was ambrosia, because not only do I not care about how other people dress (unless you’re a woman. And unless she’s only wearing a scrunchie in her hair and a pearl for underwear), but whoreporate Amerikkka doesn’t really give three shits about what I do as long as it doesn’t hurt their bottom line. That’s why TI got his music video blocked by Louis Vuitton and Gucci, and we gotta listen to that “Numa Numa” shit with Rihanna donkey-braying over the damn thing now.
Weren’t the Italians and French pro-slavery anyways? Just a thought, people…
The whole thing is reminiscent when the t.I. who runs Cristal told rappers to stop name-dropping his shit, presumably under the guise that the sight of a bunch of mush-mouthed minstrels with gaudy baubles and their pants hung low Fleece Johnson style would bring their credibility as a high-end, bourgeoisie moonshine manufacturer down, which caused Jay-Z of all people to start proclaiming Ace Of Spades as the new icon of black bourgeoisie-ness, which us urban folk foolishly believed even though this is the same guy who’s in bed with a company that got its own money through slave trading.
Where’s Edgar Pearce when you need him?
Maybe now that Louis Vuitton and Gucci officially hate rap – and by extension, black people – people would be more like, well, me, and don’t give a shit about these brands. Besides, weren’t these brands the harbinger of the whole “dude looks like a lady” look anyways? When I was younger, the only people who wore Louis Vuitton in my family were women. It’s like grown-ass men raid their sister’s closet for that Gucci blouse she just copped and have the gall to call it “fashion forward.”
Shit’s disgusting.